Mr. Loverman by Bernardine Evaristo

by Shivanee Ramlochan, Paper Based Blogger

Truth be told, we’ve been having a spot of bother, keeping Mr. Loverman (Penguin UK, 2013) firmly planted on our shelves. Already on our second shipment of this, Bernardine Evaristo’s seventh book, it’s easy to see what makes it a surefire seller. For one thing, it’s got a storyline you can’t shake a stick at, so swiftly do the pages fly by in its bacchanal-infused telling. Barrington Jedidiah Walker, Esq., Barry to his friends, is perpetually sharp-suited and smooth-witted. He’s a veritable dandy who walks the streets of his Hackney neighbourhood with equal parts panache and well monied élan. Barry has held a secret close to his chest for most of his life, keeping it under wraps from his wife Carmel, a long-suffering religious zealot, and their two daughters. He hides it from everyone who forms a part of his immediate and extended society, save one Morris Courtney de la Roux. This is because Morris himself is the secret. He has been the object of Barry’s private ardour ever since, as the latter puts it, “we was both high-pitched, smooth-cheeked mischief makers waiting for we balls to drop.”

Ian Thomson, in his review of the novel for The Spectator (UK), concludes his glowing assessment by declaring, “It is to be hoped that Bounty Killer will read and enjoy this tender, even trailblazing novel (in or out of tight trousers).” Thomson’s reference to the Jamaican dancehall artist (and longtime anti-gay advocate) isn’t accidental: Mr. Loverman confronts hot-button issues of gender, sexuality and identity politics with unflinching commitment. From flashbacks of forbidding Antiguan village life, to present-day gay club scenes and domestic confrontations, readers have a front row seat to the unfurling drama that envelops Barry, and the big decision he must make.

Mr. Loverman isn’t afraid to wear the brightest colours in the public square, declaring to all and sundry that it’s well worth your time, your laughter, and the hours of animated chatter it’s sure to prompt in its (frankly, fabulous) wake.

An Evening of Tea and Readings, February 8th

by Shivanee Ramlochan, Paper Based Blogger

Dear Book Lovers,

We were eager for our Tea and Readings series to resume this year, and it gave us joy to see that your enthusiasm matched our own! Last Saturday, we held our first literary evening of 2014 before a capacity crowd, at which we welcomed three uniquely engaging writers to the podium.

Our official event flyer, designed by Reynold Hackshaw.

Our official event flyer, designed by Reynold Hackshaw.

The evening’s first reader was Kim Johnson, one of Trinidad’s steelpan connoisseurs and foremost cultural academics. Johnson shared extensively from one of his most popular titles, The Illustrated Story of Pan, frequently interspersing his reading with colourful sideline commentary. Scarcely needing to rely on his own written reportage, Johnson regaled the appreciative crowd with anecdotes both revealing and whimsical. Avid collectors eager to acquire The Illustrated Story of Pan may have some waiting ahead of them: the book is currently out of print. (It’s been recommissioned for re-release, official date pending confirmation.) In the interim, though, we’ve several of Johnson’s other titles in stock, including Tinpan to TASPO: Origins of the Steelband Movement 1939-1951 (2011) and Descendants of the Dragon (2007).

Steelpan scholar Kim Johnson shares passages from his publication The Illustrated Story of Pan.

Steelpan scholar Kim Johnson shares passages from his publication The Illustrated Story of Pan.

Our middle presenter isn’t a stranger to the Paper Based reading stage: in late October last year, Paper Based was privileged to host Debbie Jacob’s book launch of Wishing for Wings, a true account of her experiences teaching English Language to incarcerated young men at the Youth Training Centre. Critical and personal response to Wishing for Wings has been effusively widespread: people agree that this is an indispensable book, an asset to every secondary school student, no matter their circumstances. Jacob spoke candidly of the horrors that can be found behind prison walls, both juvenile and adult, and of the enormous dedication it takes to imagine a better life while in remand. By the time she soberly wound her reflections to a close, there was barely a dry eye or unmoved expression in the house.

Debbie Jacob shares excerpts from her students' writing, many examples of which appear in Wishing for Wings (Ian Randle Publishers, 2013).

Debbie Jacob shares excerpts from her students’ writing, many examples of which appear in Wishing for Wings (Ian Randle Publishers, 2013).

Bringing the readings to a close, historian Angelo Bissessarsingh (who, like Debbie, is a Trinidad Guardian columnist), will have his first book, Walking with the Ancestors, on our shelves soon. While that book is poised to present a fascinating study of local cemeteries, Bissessarsingh wore the hat of fiction last Saturday, as opposed to the historical non-fiction for which he is perhaps best recognized. Sharing a short story, adapted from a novel in progress, the Virtual Museum of Trinidad and Tobago founder had the audience in stitches from the first paragraph of ribald stream of consciousness onwards. In the wake of such a side-splitting rendition, which also served to highlight many facets of Trinidad’s post-war society, we’re just as keen to read Angelo’s novel as we are his non-fiction!

Angelo Bissessarsingh tickles the crowd's collective funny bone with his short story, "Lady Maudie".

Angelo Bissessarsingh tickles the crowd’s collective funny bone with his short story, “Lady Maudie”.

We couldn’t have asked for a more beautifully balanced triad of readers, whose offerings ran the gamut from historical introspection, to present-day societal study, to creative fiction of mirth and merriment. We’d like to thank Kim, Debbie and Angelo for their time and generosity — and we’re deeply appreciative to each of our patrons, both first-timers and familiar returning faces. Your unflagging support keeps our Tea and Reading series alive, and we look forward to many similar celebrations in your company.

Speaking of celebrations, our upcoming reading, on March 8th, will be a special one: in addition to showcasing a promising lineup of writers, we’ll also be ringing in Paper Based’s 27th birthday! We’re happy to announce that one of our March readers will be Nathalie Taghaboni, author of Across From Lapeyrouse and its sequel, Santimanitay. Stay tuned for our full list of readers, to be announced by the end of February.

Among the Bloodpeople by Thomas Glave

by Shivanee Ramlochan, Paper Based Blogger

Akashic Books, 2013.

In his introduction to this new book of essays, Pulitzer prizewinning poet Yusef Komunyakaa says, “… Glave’s voice resonates in the plucked string holding each sentence together, an echo of James Baldwin and Jean Genet; his language carries the full freight of witness.” You might choose to describe the prevailing quality that drives this collection as “fearless”. It’s even more telling to consider that Glave operates boldly in the interests of the stigmatized and disenfranchised, despite potential fear of reprisals.

Glave, whose previous works include the anthology Our Caribbean: A Gathering of Gay and Lesbian Writing from the Antilles (2008), is unshy on the page, regarding the bloody tide of anti-gay sentiment that so typifies popular Jamaican culture. He vigorously decries not just the dancehall culture, but the (in)actions of “the bloodpeople” themselves: fellow Jamaican and Caribbean peoples, of shared genealogy and social circumstance. All of this surfaces in Glave’s first essay of the collection: “This Jamaican Family: The Word, and Dreams.”

Several of the collection’s essays smartly dismantle easy preconceptions about LGBT-culture consumption in the Caribbean; about the realities of what it means to be “othered” on the fronts of colour; of geographical roots; of sexual orientation. Other essays excavate family histories with equal parts nostalgia and a kind of regretful optimism. In “The Bloodpeople in Language,” Glave situates himself in the third person. Musing on his deceased sister, he is “…sundered and surprised that, on particular mornings and afternoons and evenings on the green island of his people’s origin and history, he finds himself listening […] for the sound of her in the language.”

A sensitive, sharp set of intelligences — intellectual, to be sure, but prevailingly emotional, too — reside in the makeup of these essays. Whether Glave is musing on his original founder’s role in Jamaica’s J-FLAG, providing a frank, poetic meditation on “barebacking”, or paying homage to his chief literary influences, these pieces are moulded in resistance, bolstered by history, suffused in poetry: each of them is a delight.

Our Book Club Pick: As Flies to Whatless Boys by Robert Antoni

by Shivanee Ramlochan, Paper Based Blogger

Published by Akashic Books, 2013

“… there was something gentle & easy & comforting in the island’s mere presence before us: its hazy solidity. The indisputable fact of its simply being there — only a stone’s throw away — despite its dreamlike appearance. And those of us still leaning up against the rail, still gazing through the descending dark, found it difficult, almost painful, to turn we backs to it.”

The year is 1845, and the utopianist visionary, John Adolphus Etzler, is setting sail for Trinidad, along with his fantastical invention, the Satellite, and the members of his Tropical Emigration Society. Among their rank and file is young William “Willy” Tucker and his family, seeking a better life away from their low-class, East End London existence.  Willy, truth be told, is transfixed by the mute beauty Marguerite, also on board the Rosalind — he and Marguerite are from different worlds in England, but he hopes that in this brave new world, he and his sweetheart might tread the same path.

Life holds stark revelations when the Tropical Emigration Society docks in Port-Spain, and Etzler’s machines are put to the test, with drastically useless results. How will these beached migrants fare in the island’s jungle morasses, especially when the “Black Vomit” (yellow fever) begins to snare the travellers, one by one?

Non-fiction category winner of the 2011 OCM Bocas Prize, Edwidge Danticat, praises Antoni’s novel as “a marvel, layered in histories… an unforgettable and matchless work of fiction.” We couldn’t agree with her more: Antoni’s prose pushes linguistic and traditional text-format boundaries in the best way. As Flies to Whatless Boys was Paper Based’s final official book launch of 2013, a fact of which we’re especially proud. Held on December 14th, the event boasted a capacity audience, each of whom listened, rapt, while Antoni read segments of his book — of particular delight was his rendition of the infamous Miss Ramsol character. (Readers who’ve enjoyed Antoni’s story, “How to Make Photocopies in the Trinidad & Tobago National Archives”, from the Trinidad Noir anthology, will recognize the boisterous, colourful character immediately.)

The novel’s immense range; its clarity and depth; its irrepressible sense of humour despite bleak circumstances; the way it tackles historical documentation with a neo-archivist’s repurposing zeal: these and other reasons are why we’re thrilled to proclaim As Flies to Whatless Boys our January Book Club pick! Have a look at our reading circle questions below — if you’ve read the book, do share your thoughts with us, and feel free to add questions of your own in our Comments section.

Discussion Questions for As Flies to Whatless Boys:

  • The novel is opened with two epigraphs: one from William Shakespeare’s King Lear, and one from “The Schooner’s Flight” by Derek Walcott. Which of these do you find ties in more directly to the heart of the book?
  • Many of the people and events in the novel have their basis in historical fact. What do you think of this marriage of fiction to reality? Do you think some historical figures and happenings ought never be creatively interpreted, or do you think everything that’s happened in History is worth exploring imaginatively?
  • Miss Ramsol, director of the Trinidad & Tobago National Archives, has been described as “the best thing about the book” — do you agree? What do you think her letters add to the novel (or would you have preferred the book without them?)
  • Willy and Marguerite share an unconventional romance, most of which unfurls aboard the Rosalind. Do you think their relationship would have been possible in nineteenth century London? What other unconventional relationships exist in the book?
  • John Adolphus Etzler could be said to be both a charlatan and a visionary: are there any Etzler-esque, larger than life con artists in today’s world? Do you think you would have been tempted to sign up for the Tropical Emigration Society?
  • The bond between Willy Tucker and his father is a moving one, explored in the novel in a variety of ways. Which interaction between the two Tuckers most moved you, and which piece of advice given from father to son, did you find most meaningful?
  • Does your favourite moment of the novel take place on the sea, or on the land; in England, or in Trinidad; in the nineteenth century, or in 2010? Do you feel, by novel’s end, that Willy has made the right choices — and how would you choose, were you in his shoes?

Previous Book Club Picks:

Wishing for Wings by Debbie Jacob
Between Bodies Lie by H. M. Blanc

Caliebirri by Luis Blanco

by Shivanee Ramlochan, Paper Based Blogger

Origin stories — those tales that tell us the fascinating and legendary sources of our history — have long illuminated the world of children’s literature. There are scores of picture books devoted to the making of the world by a Creator’s hand, and it would not be inaccurate to add Caliebirri to the ranks of such imaginative folklore. However, what makes this simple, spellbinding narrative doubly effective is that it suits both young and adult palates. This enchanting, whimsical myth sheds light on a creation parable sacred to the Hivi/Guahibo peoples of Colombia and Venezuela. It is in Venezuela that this story is set — in the village of Cuideido (now called Santa Rita), in a time when “all the people were animals, because in the beginning, people were animals and the animals behaved like human beings.”

Using unornamented yet vivid text from Luis Blanco (translated by Bunty O’Connor), and incorporating black and white illustrations by Alfredo Almeida, Caliebirri is equal parts captivating and educational. It’s easy to see why Caribbean lifestyle blog, Designer Island Life, signalled this handbound gem as one of their 2013 Christmas List picks: they heralded it as nothing less than “a labour of love.”

Each book comes with a gorgeous, unique macaw feather-bookmark (painlessly donated by their avian owners!)

We at Paper Based agree: there’s something undeniably special about going on this adventure, about holding this string-bound marvel of a story in one’s hands while reading it aloud to wide-eyed toddlers, or savouring it privately. As you share in the wonder of discovering the remarkable, multiple-fruit bearing Caliebirri tree, alongside these intrepid forest creatures, you will be reminded of the power, and permanence, of so many ancestral fables. This is why we’re especially glad it’s our first book spotlight of 2014!

Beaches and Bays of Trinidad and Tobago: Second Edition

by Shivanee Ramlochan, Paper Based Blogger

Published by the Institute of Marine Affairs, 2013.

Published by the Institute of Marine Affairs, 2013.

Timed to coincide with the 35th anniversary of the Institute of Marine Affairs, Beaches and Bays of Trinidad and Tobago doesn’t claim to be a definitive guide to every single inlet or strip of littoral to be found on our nation’s shores. Instead, it improves on the indepth existing model of its first edition, highlighting thirty beaches and bays in Trinidad, and twenty-three in Tobago. Presented in a glossy, coffee table format, this handily sized primer will serve as a welcome refresher course to local sea loving enthusiasts, as well as a commendable textual compass for those new to T & T’s beach geography.

Beaches and Bays is laid out with attention devoted to both stunning outlays and maximum accessibility. Trinidad’s beaches are sectioned according to their position on the North, East, South and West coasts, while Tobago’s are ordered according to the Leeward and Windward sides of the island. Popular touristic choices abound: Store Bay; Maracas; Mayaro; Grande Riviere, alongside lesser-visited locales such as Grand Chemin Beach and Culloden Bay.

Each examination of these 53 beaches and bays is conducted using thorough observations and detailed descriptions. Not only are the portraits of sea, sand and surf vividly photographed, but several of the treatments include fact boxes of information on indigenous coastal flora and fauna. Each beach spotlight is further outfitted with a handy key, denoting the presence (or absence) of amenities such as parking; safe swimming zones; lifeguard services; hiking trails and picnic facilities.

Formulated to both educate and inspire, one of Beaches and Bays significant touches is its use of inspiration panels: photographs of local beach settings with accompanying quotes that speak to the best of beach experiences. One such quote summarizes the spirit and intent that fuels such an indispensable publication:

“In every outthrust headland, in
every curving beach,
in every grain of sand there is the
story of the earth.”
Rachel Carson

An Evening of Tea and Readings, November 23rd

by Shivanee Ramlochan, Paper Based Blogger

Official event flyer, designed by Kevin Hackshaw.

Official event flyer, designed by Kevin Hackshaw.

Dear Friends of Paper Based,

Amidst the pre-December Christmas listmaking and the first signs of tinsel-strewn excitement that this festive season prompts, it gave us glad tidings indeed to host our final Tea and Readings of the calendar year. Last Saturday’s event was marked more than the full stop on this reading series for 2013: as Joan Dayal (Paper Based’s owner, for any newcomers to the blog!) remarked, the final reading also serves as a forum in which we look forward to the series’ reprisal in the new year.

We welcomed a group of talented, diverse writers to the Paper Based podium: song-poet Paula Obé; poet Gilberte O’Sullivan; poet Danielle Boodoo-Fortuné; spoken word artist Mickel Alexander, and poet and fiction writer, Lisa Allen-Agostini.

Paula Obé reads a fiction excerpt from a full-length work, as it appears in the She Sex anthology.

Paula Obé reads a fiction excerpt from a full-length work, as it appears in the She Sex anthology.

Gilberte O'Sullivan shares a selection of her new and published poems with the audience.

Gilberte O’Sullivan shares a selection of her new and published poems with the audience.

This evening marked two firsts for our reading series, about which we’re delighted in equal measure. For the first time, we showcased four readers sharing space in a print collection: the brand new anthology, She Sex, published by Bamboo Talk Press and freshly-launched at NALIS this month. Edited by Obé, She Sex contains work from Boodoo-Fortuné, O’Sullivan, Allen-Agostini, as well as the editor herself. Copies of She Sex are available at the shop — we look forward to hearing reader responses on the power and emotional impact of this anthology, which reveals the core truths encircling much of female sensuality.

Mickel Alexander holds the audience rapt (including yours truly!) with one of his spoken word renditions.

Mickel Alexander holds the audience rapt (including yours truly!) with one of his spoken word renditions.

Boodoo-Fortuné shares poems from her soon-to-be-published manuscript.

Boodoo-Fortuné shares poems from her soon-to-be-published manuscript.

Gracing our reading series for the first time was not just any member of the ambitious, trailblazing initiative The Two Cents Movement, but an executive member, Mickel Alexander. Taking time out from 2 Cents’ event-packed schedule, which includes a comprehensive secondary school tour, Alexander brought the invigorating vibe of spoken word to Paper Based. We look forward to hosting more members of 2 Cents in the future, as we aim to diversify and broaden the scope of the readings that issue from our microphones!

Lisa Allen-Agostini shares from one of her unpublished short fiction pieces, bringing the evening's readings to a close.

Lisa Allen-Agostini shares from one of her unpublished short fiction pieces, bringing the evening’s readings to a close.

We’re not entirely through with our podium for 2013 — the shop will be hosting two book launches in December:

  • Ingrid Persaud’s If I Never Went Home on December 7th
  • Robert Antoni’s As Flies to Whatless Boys on December 14th

Keep your eye on our social media hubs (Facebook and Twitter) for more information on those events: we’ll be sharing more specifics closer to each launch date.

As we close the chapter on our 2013 Tea and Reading series, we look forward with new inspiration to what this initiative holds for us — and for you, our dear friends — in the coming year. It’s been an honour and a privilege to host so many talented poets, fiction and non-fiction writers. We’re grateful to each of them, for sharing so generously of their time and talents.

As we aim to make 2014’s readings even more successful, we eagerly welcome your feedback: feel free to share your thoughts, suggestions and recommendations here or on our Facebook and Twitter pages!

She Sex: Prose & Poetry, Sex & the Caribbean Woman

by Shivanee Ramlochan, Paper Based Blogger

The inaugural publication of Bamboo Talk Press, She Sex could rightly be regarded as a trailblazing, transformative work, concerned with showcasing the innermost erotic stories of Caribbean Women. Some truths about women’s sexuality — its practices; its taboos; the secrets it dares not reveal — are typically kept close to the chest, as the anthology’s co-editor, Paula Obé, mentions in the book’s introduction. Obé continues, saying, “Sometimes shadows need to be lit to take away that fear.”

Several of these pieces tackle achingly difficult subjects revolving around the female body and psyche, bringing them to the page with emotional fervour that lingers long after first readings. These contributors aren’t afraid to bare their teeth, whether they’re recounting the electric thrills associated with initial sensual encounters, or casting blame squarely in the laps of sexual predators. Danielle Boodoo-Fortuné’s poems lilt with a deep, quietly authoritative energy. In “Mother of Water”, the poem’s narrator triumphantly declares:

“I will not wear this gift
of well made shame
passed down to me.
I am a woman not buried
quite so easily.”

Lisa Allen-Agostini’s poem, “The Tiniest Tabanca”, delves energetically into Trinidadian Creole to probe the shocking hurt of a theft, one that leaves the subject of the piece sliced open with the intensity of loss. The line “sharp sharp knife cutting skin and flesh and bone like butter hand slip you crying onion tears slow surprising pain you never look for” conveys this in fluid urgency.

In the prose section, “No Lipstick for Me” by Kavita Ganness reveals the narrator’s inner turmoil, in the wake of a harrowing act of male-inflicted trauma. Ganness’ piece sees the protagonist alternating between outrage and bemusement, vacillating helplessly before she takes her defense into her own hands, in an act of exultant aggression. One of the early lines of the story warns, “…terrible things happen, it’s inevitable in most cases — like women dirtying their lips with lipstick.”

The collection features the work of several other writers, including talents from Trinidad and Tobago, Barbados, Jamaica and Bermuda, making it a truly collaborative regional project. Indispensable for women and men who want to read true erotic tales from our societies, She Sex will prompt both delight and dismay, in competing measure.

Our Book Club Pick: Wishing for Wings by Debbie Jacob

by Shivanee Ramlochan, Paper Based Blogger

Published by Ian Randle, 2013

“Maybe in the past, a long time ago, I was a criminal but not anymore. I’m just a usual individual right now. I’m going to behave myself and go to plays and learn my work. A tiny, little feeling inside of me says I’m more intelligent than I may think so I’m going to utilise that.”

So says Shawn in an eager letter to his CXC English Language teacher, Debbie Jacob — an unlikely instructor for the task of furnishing several young inmates with the inner workings of the English syllabus, according to Jacob herself. Though the journalist, author and librarian retained misgivings about the quality and consistency of her tutelage, she persevered, incorporating stories, essays and subject material outside of the scope of the often-rigid, unimaginative course matter. The personal stories of the boys under her charge, as shared in Wishing for Wings, are a testament to both her determination, and that of her students.

As Jacob reminds the reader multiple times in clear, unornamented prose, the fates of the boys in remand behind the Youth Training Centre’s forbidding walls are seldom thought of in a positive light. The conditions under which they are mandated to live and function are highly questionable, and in these austere circumstances, it seems hardly likely that hope can flourish. Yet, beneath Jacob’s guidance, the young men she teaches gradually emerge from the shells of their necessary armour, sharing more of their secret aspirations and plans for self-betterment.

In a sense, Jacob’s voice in this narrative is kind yet peripheral: she sidelines her own personal tales to repeatedly let the boys’ contributions — in the form of essays; book reviews; dream sequences and letters — shine through. The end result is a frankly unforgettable journey, one which, by its end, will have you considering these remarkable youths as far more than “inmates”. Their futures will gleam with promise, augmented by the power of flight they’ve earned through unremitting work and their longing for brighter horizons.

Given the rich possibilities for both discussion and inspiration that lie in the pages of Wishing for Wings, it’s no wonder that we’re pleased to select it as our official November Book Club Pick! Here are a few reading circle questions to help get you started: please feel free to share additional ones in the comments section.

Discussion Questions for Wishing for Wings:

  • Much has been made of the famous poem that opens the book: “Dreams”, by Langston Hughes. In what ways is the use of this poem as an epigraph especially suitable for these boys’ stories?
  • The first assignment that Debbie gives her YTC charges asks them to select which animal they would most like to be. If pressed with this question, which animal would you choose, and do you think the choice reveals anything in particular about your character?
  • Jacob often expresses dissatisfaction with the course material assigned to CXC English Language, calling them “boring textbooks filled with irrelevant material.” What do you think of her alternative teaching methods, and do you think they would be successful in a conventional classroom setting?
  • Did you find yourself rooting for one boy above all the others? Which of Jacob’s students did you feel the most for, while reading, and if his future was described towards the book’s end, how did his progress (or lack thereof) make you feel?
  • After finishing Wishing for Wings, were any preconceived notions you held about life at the YTC in Arouca destroyed? What recommendations would you make, to have life behind those gates become a healthier environment for the young prisoners there?
  • During the course of the book, Debbie makes loans and gifts of novels and other reading material to her students, in the interest of broadening their appreciation of the world, and its different inhabitants. If you could recommend just one book to an impressionable young person, which would it be, and why would you select it?
  • “English,” Debbie tells her students, “is about learning how to express yourself.” In response, they inform her that English is about life. Which of these perspectives do you agree with more, and if you agree with neither, how do you define the purpose of an education in English?

Previous Book Club Picks:

Between Bodies Lie by H. M. Blanc

The Caribbean in Sepia by Michael Ayre

by Shivanee Ramlochan, Paper Based Blogger

Published by Ian Randle, 2013.

This meticulously researched and curated visual assemblage, subtitled A History in Photographs 1840-1900, reveals itself as a superior photographic presentation. It’s not simply because of the vast cross-section of images on display, the majority of which are rare and otherwise difficult to access, but because of Ayre’s keenly seeing interpretation of the history represented in these pictures. Ayre’s interwoven passions of photography and economy come elegantly to bear on The Caribbean in Sepia‘s trajectory, one that spans sixty years of the lives of 19th century Caribbean citizenry. The author’s commentary explores the intricacies of their social systems while examining the persistent effects created by the difficult legacies of slavery and the sugar plantation system.

Solidly praised by historian Pedro Welch as a “treasure trove of resources that will provide data for analysis by historians for quite some time to come”, representing “a unique contribution to the historiography of the Caribbean”, this title promises hours of intelligent introspection, both a visual and text-based meditation on a distinctive period in the region.  Providing that elusive marriage of perspicaciously-shot imagery subjected to rigorous, cogent analysis, The Caribbean in Sepia displays some of the best sociocultural commentary on the fortunes and failures of 19th c. Caribbean society to have appeared in publication.