The Beast of Kukuyo – Kevin Jared Hosein

by Shivanee Ramlochan, Paper Based Blogger

“In Trinidad, the dead are cursed. Nobody remember you after a week. Even if they mangle your body and stuff it in a hole, everybody would just nod their head and say, We hafta trust in God’s plan. I was done with that. I seen it already. I went through it myself.”

You don’t need to convince Rune Mathura, the teenage protagonist of The Beast of Kukuyo, that life is unfair. Though she’s had her fair share of hard knocks, Rune, a resident of rural Kukuyo village in the early 1990s, is as surprised as anyone else when her classmate Dumpling Heera is the victim of a brutal murder. Rune tries to hone the detective smarts she’s picked up in her regularly scheduled viewings of Murder, She Wrote: she’d like to solve the case of who took Dumpling down with such crude violence. 

A 2017 CODE Burt Award for Caribbean Young Adult Literature finalist, this novel by Kevin Jared Hosein brings gritty, uncompromising realism to the coming of age genre in YA fiction. There aren’t princes or deus ex machina subplots here: Rune often fends for herself in this swift-paced, unsparing narrative of seedy rumshops; a menacing Doberman named Mangeshkar the Castrator; cockfights in close quarters; the Kangal boys and their appetite for viciousness. You might ask: is this world too dark a setting for a capable young adult tale? The answer is that Hosein never shies away from darkness in his tellings, and his stories are the better for it, for readers of all ages. 

Human intimacy and tenderness are on full display in this brutal landscape: witness Rune’s guarded concern for her alcoholic brother Nick, or the gentle sternness with which their grandfather Sam strives to raise them. Rune’s relationship with her best friend, the stoic and even-tempered Tiki, is one of the novel’s best interpersonal character developments: it’s a tribute to the complexity and subtlety of emotional bonds forged between young people, even amid significant trauma and terror. 

How we wrangle with our own beast, and whether or not we succumb to the monstrous within us: this is one of the central motivations of Hosein’s grave, gripping tale. 

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Home Home – Lisa Allen-Agostini

by Shivanee Ramlochan, Paper Based Blogger

“Most adults don’t believe children can get anxiety, but believe me, we do.” 

Lisa Allen-Agostini’s Home Home, 2017 CODE Burt Award for Caribbean Young Adult Literature finalist, is a brief but stirring lesson in what it means to make a family, and how home can be anywhere with deep and devoted roots. Kayla, whose stern disciplinarian mother has sent her to Canada, isn’t so sure she can ever get used to the Edmonton cold, even on an average summer day. She bundles herself up in excessive layers, keeps herself company in her own room at her aunt’s house. Aunt Jillian and her partner Julie are the first lesbian couple that fourteen year-old Kayla has known; she loves them but isn’t so sure how to feel about ‘the LGBT thing’. Throw in a best friend thousands of miles away; a cute boy who gives Kayla serious butterflies, and Kayla’s battle with mental health: it all seems like too much for even a smart, resourceful girl to manage. How, in the midst of this maelstrom of sickness and uncertainty, can Kayla be sure of exactly who she is?

This isn’t a detached look into the life of a chronically depressed teenager. Allen-Agostini brings us into the complex, often chaotic inner world of Kayla, and shows us this protagonist as a living, breathing girl child. Kayla navigates her mostly-hermitic world using the contemporary technology anyone her age might. Her Skype calls with Akilah are a touchstone to a familiar life, which the writer brings into sharp auditory focus: we can hear the “burbling, bubbling” Skype ringtone every time Akilah calls; we can feel the importance of that sound, no matter how annoying Kayla finds it. We hear its reverberations in her everyday life. 

Allen-Agostini’s portrait of Kayla, a girl who both knows her own mind and fears it, makes Home Home indispensable reading for young people, and for older people who want to know their youth better. In her obsessive Buzzeed video watching; her love of old-school hip hop; her quest to find the place she belongs, Kayla is a young person worth rooting for, worth believing. It’s a convincingly-hewn message of this slender, strongly-mapped novella: every young person who struggles deserves not only awareness, but faith, and loving trust. 

The Art of White Roses – Viviana Prado-Núñez

by Shivanee Ramlochan, Paper Based Blogger

To live in oppressive times is a kind of emotional suffocation, a constricting of freedom that applies both to the confines of your country, and the limitations of your hope. The Art of White Roses, winner of the 2017 CODE Burt Award for Caribbean Young Adult Literature, explores what it means to feel like a prisoner in your own island, and what it means to grow hope in a seemingly barren place. 

The time is 1957. The place is Marianao, Cuba, and the US-backed Batista regime is a heavy boot on the populace: university students are disappearing; eyes are averted from terrible goings-on; corruption becomes synonymous with daily bread. Thirteen year old Adela Santiago witnesses it all: that which she understands, that which she doesn’t. She plays dominoes with her brother Pingüino, makes ropa vieja with her mother before sunrise on Sundays, writes about José Martí at her schooldesk: all of these seem like signposts of a normal life, but Adela knows better. She knows about los desaparecidos. She pays attention, and senses Cuba is on the brink of something explosive and dangerous: something that gleams with the fire of revolution. 

Prado-Núñez gives us a capsule of society in the Santiago clan: a supposedly conventional nuclear family made of hardworking parents; an eccentric grandfather; precocious yet dutiful offspring. So much of The Art of White Roses‘ storytelling strength lies in a series of subversions: the author’s treatment of family loyalty and complexity might be its crowning, subversive gem. In carefully-drawn, sensitive examinations of familial devotion, treachery and trauma, Prado-Núñez assembles for her reader a palette of human cynicism and optimism at its finest, and its most intense. 

At the centre of this domestic diorama stands Adela, a protagonist who summons empathy and affinity, a weather vane of conscience in troubled times, an archivist whose love for her Cuba provides some of the book’s most memorable lines: 

“It came to me so vividly, the Havana of my mind. I could taste the salt of the popcorn burning my tongue, could smell the heavy sweat-scent of the ocean. That Havana was mine, and it would always be mine, except it wasn’t.” 

What a narrative triumph Prado-Núñez presents for us, this fragmented, faithful ode to a place caught in the crossfires of toxic rule and feverish change, a suburb of Havana where a girl dreams in a blue house, feeling the world shift beneath her feet, feeling herself change, in unavoidably bittersweet response. 

Dreams Beyond the Shore by Tamika Gibson

by Shivanee Ramlochan, Paper Based Blogger

Dreams Beyond the Shore is the first place winner of the 2016 CODE Burt Award for Caribbean Literature, and it’s not hard to see why. It’s challenging to find #YALit that has its finger on the pulse of contemporary teen life in T&T, but Tamika Gibson’s debut novel serves up a true-to-reality coming of age tale in the 868.

Focusing on precocious yet dutiful Chelsea Marchand, and her nascent romance with star football schoolboy Kyron Grant, Dreams Beyond the Shore examines the grey space between first crushes and family obligations, in prose that’s clever, crisp and on the mark. You can hear the saucy picong fresh from the football field, as Kyron sidles up to greet Chelsea, just like you can taste the sweet-hand flavouring the meals made in Chelsea’s grandmother’s perpetually-bubbling pot. Gibson doesn’t train her sights on an easy emulation of American tropes in YA writing. Instead, she shoots – and scores – in her depiction of the red, white and black: whether she’s talking about food, fetes, or funny business in high office. 

Chelsea and Kyron are relatable protagonists, both as individuals and as a couple coming under fire from authority figures. Their fathers — an aspiring Prime Ministerial candidate, and a shadily prosperous businessman — aren’t spared their children’s scrutiny, with the trajectory of the novel making judicious statements on the price of blind obedience and generational discord. Gibson illustrates this in lucid, compelling streams of consciousnesses that pepper and peer into the storytelling: 

“But even as I practiced in front the mirror, got into character and finessed my cadence and pauses, I promised myself that this was the last time. I would do my father’s bidding this one last time. Then I would no longer be used as a pawn. As for tonight though, I’d give them the best show they’d ever seen, issuing the clarion call on behalf of this bloody impostor.”

Breaths of fresh air in publishing are elusive, but that’s just what Dreams Beyond the Shore is: vibrant, energetic fiction for young adults that’s realistic and romantic, funny and fresh, full of promise, playfulness and perception. I can’t wait to see what Tamika Gibson writes next.